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Joan MiróPetite Barrière, 1967Drypoint with embossing and aquatint printed in colours.
Signed in pencil and numbered from the edition of 75.
Printed on BFK Rives wove paper.
Published by Maeght Éditeur, ParisPlate size: 26.3 x 10.2 cm (10 3/8 x 4 in)
Sheet size: 50 x 32.4 cm (19 3/4 x 12 3/4 in)
(Dupin 436) -
Joan MiróPreparatifs d'oiseaux I, 1963Aquatint in colours.
Signed in pencil and inscribed H.C., a proof impression aside from the edition of 75.
Printed and published by Maeght, Paris.Plate: 20.5 x 26.5 cm (8 1/8 x 10 3/8 in)
Sheet: 49 x 58 cm (19 1/4 x 22 7/8 in) -
Joan MiróMaryse Lafont, Obscur Laurier, 1962Etching with drypoint and aquatint printed in colours.
Signed in pencil from the edition of 175.
Printed on BFK Rives wove paper.
Issued unbound with 'Obscur Laurier', the artist's book.
Published by GLM, Paris.24 x 17 cm (9 1/2 x 6 3/4 in)
(Dupin 305) -
Joan MiróLes Philosophes I, 1958Aquatint.
Signed in pencil and numbered from the edition of 75.
Printed on Rives vellum paper by Crommelynck and Dutrou, Paris.
Published by Maeght Editions, Paris.Plate: 32.5 x 49.5 cm (12 3/4 x 19 1/2 in)
Sheet: 50 x 66 cm (19 3/4 x 26 in) -
Joan MiróSignes et Météores, 1958Lithograph printed in colours.
Signed in pencil and inscribed 'H.C.'
A proof aside from the edition of 100.
Published by Galerie Maeght, Paris
49.5 x 64.8 cm (19 3/8 x 25 1/2 in) -
Joan MiróA La Santé du Serpent, 1954Lithograph printed in colours.
Signed in pencil and inscribed 'B.A.T.'
The Bon à tirer impression before the edition of 50.
Printed by Mourlot, Paris
Published by GLM (Guy Lévis Mano), Paris
28 x 19 cm (11 x 7 3/8 in) -
Joan MiróAlbum 13, 1948Plate number 12 from a portfolio of 15 lithographs (including title page and colophon).
Signed in pencil and numbered 71 from the edition of 75.
Printed by Mourlot, Paris.
Published by Maeght, Paris.Plate: 35 x 43 cm (13 3/4 x 16 7/8 in)
Sheet: 44.8 x 55.9 cm (17 5/8 x 22 in) -
Joan MiróFrom: Album 13 (XII), 1948Lithograph.
Signed in pencil and numbered from the edition of 75.
Printed on Marais pur fil wove paper.
Published by Maeght Éditeur, Paris45 x 56.3 cm (17 3/4 x 22 1/8 in)
(Mourlot 71-87)
(Cramer books 18) -
Joan MiróFrom: Album 13 (VI), 1948Lithograph.
Signed in pencil and numbered from the edition of 75.
Printed on Marais pur fil wove paper.
Published by Maeght Éditeur, Paris45 x 56.3 cm (17 3/4 x 22 1/8 in)
(Mourlot 71-87)
(Cramer books 18) -
Joan MiróFrom: Album 13 (I), 1948Lithograph.
Signed in pencil and numbered from the edition of 75.
Printed on Marais pur fil wove paper.
Published by Maeght Éditeur, Paris45 x 56.3 cm (17 3/4 x 22 1/8 in)
(Mourlot 71-87)
(Cramer books 18) -
Joan MiróLe tablier blanc, 1958Suite of two drypoints printed in green and black.
Each signed in pencil and numbered 2/3 and 3/3.
Printed on Auvergne paper by Pierre André Benoit, Alés, France.
Published by Pierre André Benoit, Alés, France.Sheet: 14.5 x 17 cm (5 3/4 x 6 3/4 in)
(Dupin 236) -
Joan MiróLes trois soeurs, 1938Etching with drypoint.
Signed in pencil and numbered from the edition of 30.
Printed on Arches vellum paper at Atelier Lacouriere, Paris.
Published by Pierre Loeb, Paris, and Pierre Matisse, New York.Plate: 26.5 x 19.5 cm (10 1/2 x 7 3/4 in)
Sheet: 44.5 x 32.5 cm (17 1/2 x 12 7/8 in)
(Dupin 25) -
Joan MiróBijou et cadre, 1938Etching.
Signed in pencil and inscribed 'Bon à tirer'.
The Bon à tirer impression before the edition of 3.
Printed on Arches vellum paper at Marcoussis' studio, Paris.
Published by Pierre Loeb, Paris, and Pierre Matisse, New York.Plate: 12 x 9 cm (4 3/4 x 3 1/2 in)
Sheet: 44 x 32 cm (17 3/8 x 12 5/8 in)
(Dupin 24)
