Joan Miró

Aquatint in colours.
Signed in pencil and inscribed H.C., a proof impression aside from the edition of 75.
Printed and published by Maeght, Paris.

Aquatint.
Signed in pencil and numbered 75 from the edition of 75.
Printed on Rives vellum paper by Crommelynck and Dutrou, Paris.
Published by Maeght Editions, Paris.

Suite of two drypoints printed in green and black.
Each signed in pencil and numbered 2/3 and 3/3.
Printed on Auvergne paper by Pierre André Benoit, Alés, France.
Published by Pierre André Benoit, Alés, France.
(Dupin 236)

Etching.
Signed in pencil and numbered 10 from the edition of 30.
Printed on Arches wove paper at Atelier Lacourière, Paris.
Published by Pierre Loeb, Paris, and Pierre Matisse, New York.
(Dupin 33)

Etching with drypoint.
Signed in pencil and numbered 5 from the edition of 30.
Printed on Arches vellum paper at Atelier Lacouriere, Paris.
Published by Pierre Loeb, Paris, and Pierre Matisse, New York.
(Dupin 25)

Etching.
Signed in pencil and inscribed Bon á tirer. A proof impression aside from the numbered edition of 3.
Printed on Arches vellum paper at Marcoussis' studio, Paris.
Published by Pierre Loeb, Paris, and Pierre Matisse, New York.
(Dupin 24)

Etching.
Signed in pencil and inscribed H.C. A proof impression aside from the edition of 30.
Printed on Arches vellum paper at Crommelynck and Dutrou, Paris.
Published by Maeght Editions, Paris.
(Dupin 105)

Soft-ground and aquatint.
Signed in pencil and inscribed H.C. A proof impression aside from the edition of 75.
Printed on Rives vellum paper at Atelier Lacourière, Paris.
Published by Maeght Editions, Paris.
(Dupin 98)

Etching and aquatint printed in colours.
Signed in pencil and inscribed épreuve d'artiste. A proof impression aside from the edition of 75.
Printed on Rives vellum paper by Crommelynck and Dutrou, Paris.
Published by Maeght Editions, Paris.
(Dupin 159)