Joan Miró

Etching touched up by the hand of the artist.
Signed and numbered 3 from the edition of 10.
Printed at the Atelier Lacourier, Paris.
Published by Pierre Matisse, New York.
(Dupin 269-270)

Wash drawing, aquatint and burin.
Signed in pencil and numbered in an edition of 75.
Printed on Rives vellum paper at Crommelynck and Dutrou, Paris.
Published by Maeght Editions, Paris.

Etching.
Signed in pencil and numbered in an edition of 30.
Printed on Arches vellum paper at Crommelynck and Dutrou, Paris.
Published by Maeght Editions, Paris.

Etching.
Signed in pencil and numbered in an edition of 13.
Printed on Arches vellum paper at Atelier Lacourière-Frélaut, Paris.
Published by Maeght Editions, Paris.

Dry point and burin engraving.
Signed in pencil and numbered from the edition of 13.
Printed on Arches vellum paper at Atelier Lacourière-Frélaut, Paris.
Published by Maeght Editions, Paris.

Dry point and burin engraving.
Signed in pencil and numbered in an edition of 13.
Printed on Arches vellum paper at Atelier Lacourière-Frélaut, Paris.
Published by Maeght Editions, Paris.

Suite of two drypoints printed in green and black.
Each signed in pencil and numbered 2/3 and 3/3.
Printed on Auvergne laid paper.
Published by Pierre André Benoit, Alés.

Etching.
Signed in pencil and numbered 10 from the edition of 30.
Printed at the Atelier Lacouriére, Paris.
Published by Pierre Loeb, Paris, and Pierre Matisse, New York.
(Dupin 33)

Etching with drypoint.
Signed in pencil and numbered from the edition of 30.
Printed on Arches wove paper.
Published by Pierre Loeb, Paris, and Pierre Matisse, New York.

Etching.
Signed in pencil and inscribed Bon a tirer. A proof impression aside from the numbered edition of 3.
Printed on Arches vellum paper at Marcoussis' studio, Paris.
Published by Pierre Loeb, Paris, and Pierre Matisse, New York.
(Dupin 24)