Walton Ford: Graphic Works

Etching and aquatint with drypoint.
Signed, dated and numbered in an edition of 50.
Printed on white Somerset Satin paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire.
Published by Blue Heron Press Inc., New York.

Etching and aquatint with drypoint and roulette.
Signed, dated and numbered in an edition of 50.
Printed on white Somerset Satin paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire.
Published by Blue Heron Press Inc., New York.

Etching and aquatint with drypoint.
Signed, dated and numbered in an edition of 50.
Printed on white Somerset Satin paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire.
Published by Blue Heron Press Inc., New York.

Etching and aquatint with drypoint.
Signed, dated and numbered in an edition of 50.
Printed on white Somerset Satin paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire.
Published by Blue Heron Press Inc., New York.

Etching and aquatint with drypoint.
Signed, dated and numbered in an edition of 50.
Printed on white Somerset Satin paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire.
Published by Blue Heron Press Inc., New York.

Etching and aquatint with drypoint.
Signed in pencil and numbered in an edition of 75.
Printed on Rives BFK paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire.
Published by Paul Kasmin Editions, New York.

Etching and aquatint with drypoint and hand-colouring.
Signed, dated and numbered in an edition of 50.
Printed on white Somerset Satin paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire.
Published by Blue Heron Press Inc., New York.

Lithograph.
Signed, dated and numbered in an edition of 150.
Printed on Arches Cover White paper by Maurice Sanchez, James Miller and Matthew Ledzetler at Derriere L'Etoile Studios, New York.
Published by Paul Kasmin Gallery, New York.

Etching and aquatint.
Signed in pencil and numbered in an edition of 100.
Printed on Rives BFK paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire.
Published by Taschen, Cologne, Germany.

Etching and aquatint with drypoint.
Signed, dated and numbered in an edition of 75.
Printed on Rives BFK paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire.
Published by Paul Kasmin Editions, New York.

Etching and aquatint with drypoint.
Signed, dated and numbered in an edition of 65.
Printed on Rives BFK paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire.
Published by Kasmin Gallery, New York.

Etching and aquatint with drypoint.
Signed, dated and numbered in an edition of 65.
Printed on white Somerset Satin paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire.
Published by Paul Kasmin Gallery, New York.

Etching and aquatint with drypoint.
Signed, dated and numbered in an edition of 65.
Printed on white Somerset Satin paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire.
Published by Paul Kasmin Editions, New York.

Etching and aquatint with drypoint.
Signed in pencil and numbered in an edition of 75.
Printed on Rives BFK paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire.
Published by Paul Kasmin Editions, New York.

Lithograph.
Signed, dated and numbered in an edition of 50.
Printed on Somerset Soft White paper by Maurice Sanchez at Derrier L'Etoile Studios, New York.
Published by Exit Art, New York.

Etching with aquatint and drypoint.
Signed, dated and numbered in an edition of 100.
Printed on Rives BFK paper by Peter Pettengill and Caitlin Riordan at Wingate Studios, Hinsdale, New Hampshire.
Published by Paul Kasmin Gallery, New York.