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Walton Ford: Graphic Works

Past exhibition
2 March - 1 April 2022
  • Works
  • Overview
  • Installation Views
  • Publications
  • Walton Ford Visitation, 2004 Etching and aquatint with drypoint. Signed, dated and numbered in an edition of 50. Printed on white Somerset Satin paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire. Published by Blue Heron Press Inc., New York. Plate: 91.4 x 61 cm (36 x 24 in) Sheet: 111.8 x 78.7 cm (44 x 31 in)
    Walton Ford
    Visitation, 2004
    Etching and aquatint with drypoint.
    Signed, dated and numbered in an edition of 50.
    Printed on white Somerset Satin paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire.
    Published by Blue Heron Press Inc., New York.
    Plate: 91.4 x 61 cm (36 x 24 in)
    Sheet: 111.8 x 78.7 cm (44 x 31 in)
  • Walton Ford Compromised, 2002 Etching and aquatint with drypoint and roulette. Signed, dated and numbered in an edition of 50. Printed on white Somerset Satin paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire. Published by Blue Heron Press Inc., New York. Plate: 91.4 x 61 cm (36 x 24 in) Sheet: 111.8 x 78.7 cm (44 x 31 in)
    Walton Ford
    Compromised, 2002
    Etching and aquatint with drypoint and roulette.
    Signed, dated and numbered in an edition of 50.
    Printed on white Somerset Satin paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire.
    Published by Blue Heron Press Inc., New York.
    Plate: 91.4 x 61 cm (36 x 24 in)
    Sheet: 111.8 x 78.7 cm (44 x 31 in)
  • Walton Ford The Tale of Johnny Nutkin, 2001 Etching and aquatint with drypoint. Signed, dated and numbered in an edition of 50. Printed on white Somerset Satin paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire. Published by Blue Heron Press Inc., New York. Plate: 91.4 x 61 cm (36 x 24 in) Sheet: 111.8 x 78.7 cm (44 x 31 in)
    Walton Ford
    The Tale of Johnny Nutkin, 2001
    Etching and aquatint with drypoint.
    Signed, dated and numbered in an edition of 50.
    Printed on white Somerset Satin paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire.
    Published by Blue Heron Press Inc., New York.
    Plate: 91.4 x 61 cm (36 x 24 in)
    Sheet: 111.8 x 78.7 cm (44 x 31 in)
  • Walton Ford La Historia Me Absolvera, 1999 Etching and aquatint with drypoint. Signed, dated and numbered in an edition of 50. Printed on white Somerset Satin paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire. Published by Blue Heron Press Inc., New York. Plate: 91.4 x 61 cm (36 x 24 in) Sheet: 111.8 x 78.7 cm (44 x 31 in)
    Walton Ford
    La Historia Me Absolvera, 1999
    Etching and aquatint with drypoint.
    Signed, dated and numbered in an edition of 50.
    Printed on white Somerset Satin paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire.
    Published by Blue Heron Press Inc., New York.
    Plate: 91.4 x 61 cm (36 x 24 in)
    Sheet: 111.8 x 78.7 cm (44 x 31 in)
  • Walton Ford Benjamin's Emblem, 2000 Etching and aquatint with drypoint. Signed, dated and numbered in an edition of 50. Printed on white Somerset Satin paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire. Published by Blue Heron Press Inc., New York. Plate: 91.4 x 61 cm (36 x 24 in) Sheet: 111.8 x 78.7 cm (44 x 31 in)
    Walton Ford
    Benjamin's Emblem, 2000
    Etching and aquatint with drypoint.
    Signed, dated and numbered in an edition of 50.
    Printed on white Somerset Satin paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire.
    Published by Blue Heron Press Inc., New York.
    Plate: 91.4 x 61 cm (36 x 24 in)
    Sheet: 111.8 x 78.7 cm (44 x 31 in)
  • Walton Ford Bangalore, 2004 Etching and aquatint with drypoint. Signed in pencil and numbered in an edition of 75. Printed on Rives BFK paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire. Published by Paul Kasmin Editions, New York. Plate: 30.5 x 22.9 cm (12 x 9 in) Sheet: 54.6 x 40.6 cm (21.5 x 16 in)
    Walton Ford
    Bangalore, 2004
    Etching and aquatint with drypoint.
    Signed in pencil and numbered in an edition of 75.
    Printed on Rives BFK paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire.
    Published by Paul Kasmin Editions, New York.
    Plate: 30.5 x 22.9 cm (12 x 9 in)
    Sheet: 54.6 x 40.6 cm (21.5 x 16 in)
  • Walton Ford Swadeshi-cide, 1998 Etching and aquatint with drypoint and hand-colouring. Signed, dated and numbered in an edition of 50. Printed on white Somerset Satin paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire. Published by Blue Heron Press Inc., New York. Plate: 91.4 x 61 cm (36 x 24 in) Sheet: 111.8 x 78.7 cm (44 x 31 in)
    Walton Ford
    Swadeshi-cide, 1998
    Etching and aquatint with drypoint and hand-colouring.
    Signed, dated and numbered in an edition of 50.
    Printed on white Somerset Satin paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire.
    Published by Blue Heron Press Inc., New York.
    Plate: 91.4 x 61 cm (36 x 24 in)
    Sheet: 111.8 x 78.7 cm (44 x 31 in)
  • Walton Ford Nila, 2000 Lithograph. Signed, dated and numbered in an edition of 150. Printed on Arches Cover White paper by Maurice Sanchez, James Miller and Matthew Ledzetler at Derriere L'Etoile Studios, New York. Published by Paul Kasmin Gallery, New York. Sheet: 115.3 x 80 cm (45 1/2 x 31 1/2 in)
    Walton Ford
    Nila, 2000
    Lithograph.
    Signed, dated and numbered in an edition of 150.
    Printed on Arches Cover White paper by Maurice Sanchez, James Miller and Matthew Ledzetler at Derriere L'Etoile Studios, New York.
    Published by Paul Kasmin Gallery, New York.
    Sheet: 115.3 x 80 cm (45 1/2 x 31 1/2 in)
  • Walton Ford Limed Blossoms, 2007 Etching and aquatint. Signed in pencil and numbered in an edition of 100. Printed on Rives BFK paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire. Published by Taschen, Cologne, Germany. Plate: 30.5 x 22.9 cm (12 x 9 in) Sheet: 47 x 35.6 cm (18.5 x 14 in)
    Walton Ford
    Limed Blossoms, 2007
    Etching and aquatint.
    Signed in pencil and numbered in an edition of 100.
    Printed on Rives BFK paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire.
    Published by Taschen, Cologne, Germany.
    Plate: 30.5 x 22.9 cm (12 x 9 in)
    Sheet: 47 x 35.6 cm (18.5 x 14 in)
  • Walton Ford Condemned, 2007 Etching and aquatint with drypoint. Signed, dated and numbered in an edition of 75. Printed on Rives BFK paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire. Published by Paul Kasmin Editions, New York. Plate: 30.5 x 22.9 cm (12 x 9 in) Sheet: 54.6 x 40.6 cm (21.5 x 16 in)
    Walton Ford
    Condemned, 2007
    Etching and aquatint with drypoint.
    Signed, dated and numbered in an edition of 75.
    Printed on Rives BFK paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire.
    Published by Paul Kasmin Editions, New York.
    Plate: 30.5 x 22.9 cm (12 x 9 in)
    Sheet: 54.6 x 40.6 cm (21.5 x 16 in)
  • Walton Ford Killy, 2019 Etching and aquatint with drypoint. Signed, dated and numbered in an edition of 65. Printed on Rives BFK paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire. Published by Kasmin Gallery, New York. Plate: 50.8 x 38.1 cm (20 x 15 in) Sheet: 74.93 x 57.15 cm (29.5 x 22.5 in)
    Walton Ford
    Killy, 2019
    Etching and aquatint with drypoint.
    Signed, dated and numbered in an edition of 65.
    Printed on Rives BFK paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire.
    Published by Kasmin Gallery, New York.
    Plate: 50.8 x 38.1 cm (20 x 15 in)
    Sheet: 74.93 x 57.15 cm (29.5 x 22.5 in)
  • Walton Ford Pestvogel, 2016 Etching and aquatint with drypoint. Signed, dated and numbered in an edition of 65. Printed on white Somerset Satin paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire. Published by Paul Kasmin Gallery, New York. Plate: 71.1 x 55.9 cm (28 x 22 in) Sheet: 101.6 x 78.1 cm (40 x 30.75 in)
    Walton Ford
    Pestvogel, 2016
    Etching and aquatint with drypoint.
    Signed, dated and numbered in an edition of 65.
    Printed on white Somerset Satin paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire.
    Published by Paul Kasmin Gallery, New York.
    Plate: 71.1 x 55.9 cm (28 x 22 in)
    Sheet: 101.6 x 78.1 cm (40 x 30.75 in)
  • Walton Ford Nantes, 2009 Etching and aquatint with drypoint. Signed, dated and numbered in an edition of 65. Printed on white Somerset Satin paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire. Published by Paul Kasmin Editions, New York. Plate: 101.6 x 76.2 cm (40 x 30 in) Sheet: 121.9 x 94 cm (48 x 37 in)
    Walton Ford
    Nantes, 2009
    Etching and aquatint with drypoint.
    Signed, dated and numbered in an edition of 65.
    Printed on white Somerset Satin paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire.
    Published by Paul Kasmin Editions, New York.
    Plate: 101.6 x 76.2 cm (40 x 30 in)
    Sheet: 121.9 x 94 cm (48 x 37 in)
  • Walton Ford Dying Words, 2005 Etching and aquatint with drypoint. Signed in pencil and numbered in an edition of 75. Printed on Rives BFK paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire. Published by Paul Kasmin Editions, New York. Plate: 35.6 x 45.7 cm (14 x 18 in) Sheet: 57.1 x 76.2 cm (22.5 x 30 in)
    Walton Ford
    Dying Words, 2005
    Etching and aquatint with drypoint.
    Signed in pencil and numbered in an edition of 75.
    Printed on Rives BFK paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire.
    Published by Paul Kasmin Editions, New York.
    Plate: 35.6 x 45.7 cm (14 x 18 in)
    Sheet: 57.1 x 76.2 cm (22.5 x 30 in)
  • Walton Ford It Makes Me Think of That Awful Day On the Island, 2011 Lithograph. Signed, dated and numbered in an edition of 50. Printed on Somerset Soft White paper by Maurice Sanchez at Derrier L'Etoile Studios, New York. Published by Exit Art, New York. Sheet: 55.8 x 76.2 cm (22 x 30 in)
    Walton Ford
    It Makes Me Think of That Awful Day On the Island, 2011
    Lithograph.
    Signed, dated and numbered in an edition of 50.
    Printed on Somerset Soft White paper by Maurice Sanchez at Derrier L'Etoile Studios, New York.
    Published by Exit Art, New York.
    Sheet: 55.8 x 76.2 cm (22 x 30 in)
  • Walton Ford MCMLXII-MMXII, 2012 Etching with aquatint and drypoint. Signed, dated and numbered in an edition of 100. Printed on Rives BFK paper by Peter Pettengill and Caitlin Riordan at Wingate Studios, Hinsdale, New Hampshire. Published by Paul Kasmin Gallery, New York. Plate: 57.15 x 76.2 cm (22 1/2 x 30 in) Sheet: 85.1 x 101.6 cm (33.5 x 40 in)
    Walton Ford
    MCMLXII-MMXII, 2012
    Etching with aquatint and drypoint.
    Signed, dated and numbered in an edition of 100.
    Printed on Rives BFK paper by Peter Pettengill and Caitlin Riordan at Wingate Studios, Hinsdale, New Hampshire.
    Published by Paul Kasmin Gallery, New York.
    Plate: 57.15 x 76.2 cm (22 1/2 x 30 in)
    Sheet: 85.1 x 101.6 cm (33.5 x 40 in)
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