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Walton FordLa Historia Me Absolvera, 1999Etching and aquatint with drypoint.
Signed, dated and numbered in an edition of 50.
Printed on white Somerset Satin paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire.
Published by Blue Heron Press Inc., New York.Plate: 91.4 x 61 cm (36 x 24 in)
Sheet: 111.8 x 78.7 cm (44 x 31 in) -
Walton FordThe Tale of Johnny Nutkin, 2001Etching and aquatint with drypoint.
Signed, dated and numbered in an edition of 50.
Printed on white Somerset Satin paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire.
Published by Blue Heron Press Inc., New York.Plate: 91.4 x 61 cm (36 x 24 in)
Sheet: 111.8 x 78.7 cm (44 x 31 in) -
Walton FordSwadeshi-cide, 1998Etching and aquatint with drypoint and hand-colouring.
Signed, dated and numbered in an edition of 50.
Printed on white Somerset Satin paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire.
Published by Blue Heron Press Inc., New York.Plate: 91.4 x 61 cm (36 x 24 in)
Sheet: 111.8 x 78.7 cm (44 x 31 in) -
Walton FordNila, 2000Lithograph.
Signed, dated and numbered in an edition of 150.
Printed on Arches Cover White paper by Maurice Sanchez, James Miller and Matthew Ledzetler at Derriere L'Etoile Studios, New York.
Published by Paul Kasmin Gallery, New York.Sheet: 115.3 x 80 cm (45 1/2 x 31 1/2 in) -
Walton FordNantes, 2009Etching and aquatint with drypoint.
Signed, dated and numbered in an edition of 65.
Printed on white Somerset Satin paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire.
Published by Paul Kasmin Editions, New York.Plate: 101.6 x 76.2 cm (40 x 30 in)
Sheet: 121.9 x 94 cm (48 x 37 in) -
Walton FordCompromised, 2002Etching and aquatint with drypoint and roulette.
Signed, dated and numbered in an edition of 50.
Printed on white Somerset Satin paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire.
Published by Blue Heron Press Inc., New York.Plate: 91.4 x 61 cm (36 x 24 in)
Sheet: 111.8 x 78.7 cm (44 x 31 in) -
Walton FordVisitation, 2004Etching and aquatint with drypoint.
Signed, dated and numbered in an edition of 50.
Printed on white Somerset Satin paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire.
Published by Blue Heron Press Inc., New York.Plate: 91.4 x 61 cm (36 x 24 in)
Sheet: 111.8 x 78.7 cm (44 x 31 in) -
Walton FordPestvogel, 2016Etching and aquatint with drypoint.
Signed, dated and numbered in an edition of 65.
Printed on white Somerset Satin paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire.
Published by Paul Kasmin Gallery, New York.Plate: 71.1 x 55.9 cm (28 x 22 in)
Sheet: 101.6 x 78.1 cm (40 x 30.75 in) -
Walton FordKilly, 2019Etching and aquatint with drypoint.
Signed, dated and numbered in an edition of 65.
Printed on Rives BFK paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire.
Published by Kasmin Gallery, New York.Plate: 50.8 x 38.1 cm (20 x 15 in)
Sheet: 74.93 x 57.15 cm (29.5 x 22.5 in) -
Walton FordCondemned, 2007Etching and aquatint with drypoint.
Signed, dated and numbered in an edition of 75.
Printed on Rives BFK paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire.
Published by Paul Kasmin Editions, New York.Plate: 30.5 x 22.9 cm (12 x 9 in)
Sheet: 54.6 x 40.6 cm (21.5 x 16 in) -
Walton FordIt Makes Me Think of That Awful Day On the Island, 2011Lithograph.
Signed, dated and numbered in an edition of 50.
Printed on Somerset Soft White paper by Maurice Sanchez at Derrier L'Etoile Studios, New York.
Published by Exit Art, New York.Sheet: 55.8 x 76.2 cm (22 x 30 in) -
Walton FordMCMLXII-MMXII, 2012Etching with aquatint and drypoint.
Signed, dated and numbered in an edition of 100.
Printed on Rives BFK paper by Peter Pettengill and Caitlin Riordan at Wingate Studios, Hinsdale, New Hampshire.
Published by Paul Kasmin Gallery, New York.Plate: 57.15 x 76.2 cm (22 1/2 x 30 in)
Sheet: 85.1 x 101.6 cm (33.5 x 40 in) -
Walton FordDying Words, 2005Etching and aquatint with drypoint.
Signed in pencil and numbered in an edition of 75.
Printed on Rives BFK paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire.
Published by Paul Kasmin Editions, New York.Plate: 35.6 x 45.7 cm (14 x 18 in)
Sheet: 57.1 x 76.2 cm (22.5 x 30 in) -
Walton FordLimed Blossoms, 2007Etching and aquatint.
Signed in pencil and numbered in an edition of 100.
Printed on Rives BFK paper by Peter Pettengill at Wingate Studio, Hinsdale, New Hampshire.
Published by Taschen, Cologne, Germany.Plate: 30.5 x 22.9 cm (12 x 9 in)
Sheet: 47 x 35.6 cm (18.5 x 14 in)
