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Blaise DrummondReconstruction (Helskinki), 2016Lithograph, collage and thread.
Signed in pencil and numbered from the edition of 35.65 x 50 cm (25.59 x 19.69 in) -
Miles AldridgeRed Marks #1, 2003Chromogenic print.
Signed in ink on artist’s label and numbered from the edition of 10 plus 2 artist's proofs.67.5 x 101.5 cm (26 ½ x 40 in) -
Tom HammickSailing into Night, 2021Edition variable reduction woodcut printed in colours.
Signed in pencil and numbered from the edition of 6.120 x 91 cm (47.2 x 35.8 in) -
Richard PomeroySalt Box, 2022Hand-built porcelain clay, available in 18 colour glazes.
Featured: tangerine.
Available colours: red, pink, sunset orange, tangerine, yellow, lime green, mint green, celadon green, celadon blue, turquoise, cobalt, bluebell, purple, lilac, black, white and natural.
With the artist's stamp.9cm -
Gary HumeSchool House, 2018Lithograph printed in colours on Velin d’Arches paper.
Signed and numbered from the edition of 50.99 x 64 cm (39 x 25 1/4 in) -
Grayson PerrySelfie with Political Causes, 2018Woodcut printed in colours.
Signed in pencil and numbered verso from the edition of 15.195.7 x 293.1 cm (77.05 x 115.39 in) -
Joan MiróSérie Noire et Rouge, 1938Etching.
Signed in pencil and numbered 10 from the edition of 30.
Printed on Arches wove paper at Atelier Lacourière, Paris.
Published by Pierre Loeb, Paris, and Pierre Matisse, New York.
(Dupin 33)Plate: 17 x 25.7 cm (6 11/16 x 10 1/8 in)
Sheet: 32.8 x 44.5 cm (12 7/8 x 17 1/2 in) -
Tom HammickShack and a Pink Tree, 2021Oil on panel.
Signed and dated verso.25 x 17 cm (9 7/8 x 6 3/4 in) -
Anish KapoorShadow, 2007The complete set of nine etchings printed in colours, 2007
Each signed in pencil and numbered from the edition of 35 verso, plus 6 artist's proofs.
Printed on Somerset paper.
Published by The Paragon Press, London.49 x 65 cm (19 1/4 x 25 5/8 in) -
Georgie HoptonShining Hour, 2015Collage and wool on paper.
Signed verso.152.5 x 123.8 cm (60 1/8 x 48 3/4 in) -
Frank StellaSidi Ifni, 1973Lithograph printed in colours.
Signed in pencil and numbered from the edition of 90, plus 30 impressions numbered in roman numerals and 15 artist proofs.
Printed by Bill Law, London.
Published by Propyläen Verlag, Berlin and Pantheon Presse, S.A., Agno, Switzerland.
(Axsom 91)55.8 x 76.2 cm (22 x 30 in) -
Alice-Andrea EwingSingle Peach Half, 2022Unique bronze cast, 'raw' bronze patina.
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Tom HammickSky Garden, 2018Edition variable reduction woodcut printed in colours.
Signed in pencil and numbered from the edition of 7.120 x 400 cm (47 1/4 x 157 1/2 in) -
Tom HammickSky Park, 2020Edition variable reduction woodcut printed in colours.
Signed in pencil and numbered I from the edition of II.167 x 101 cm
65 3/4 x 39 3/4 in -
Tom HammickSky Park, 2020Edition variable reduction woodcut printed in colours.
Signed in pencil and numbered IV from the edition of IV.167 x 101 cm (65 3/4 x 39 3/4 in) -
Grayson PerrySponsored by You, 2019Etching printed in colours.
Signed verso and numbered from the edition of 68.68.9 x 101.4 cm (27 1/8 x 39 15/16 in) -
Gary HumeSpring Angels, 2000The complete set of 8 screenprints in colours, with colophon.
Signed in pencil and numbered 15 from the edition of 45, with 10 artist's proofs.
Printed on Somerset paper.
Published by The Paragon Press, London.127.2 x 101.6 cm (50 1/8 x 40 in) -
Alice-Andrea EwingSt. George's Mushroom, 2022Unique bronze cast, colour patina.
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Tom HammickStars and Flowers, 2022Edition variable reduction woodcut.
Signed and numbered from the edition of 12.59.5 x 80 cm (23 3/8 x 31 1/2 in) -
Tom HammickStars and Flowers, 2021Pen and ink drawing.
Signed and dated.21 x 25 cm (8 1/4 x 4 3/4 in) -
Blaise DrummondSuperior National Forest, 2011Lithograph printed in colours.
Signed in pencil and numbered from the edition of 30.19.5 x 20.5 cm (7.68 x 8.07 in) -
Lucian FreudSusanna, 1996Etching.
Signed in pencil and inscribed PP 2/2. A proof impression aside from the edition of 50.
Printed by Marc Balakjian at Studio Prints, London.
Published by Matthew Marks Gallery, New York.
(Treves 78)
Plate: 29.9 x 29.9 cm
Sheet: 49.9 x 49.9 cm -
Richard PomeroyTall Vase Black, 2022Hand-built porcelain clay.
With the artist's stamp.40cm -
Richard PomeroyTall Vase Bluebell, 2022Hand-built porcelain clay.
With the artist's stamp.40cm -
Richard PomeroyTall Vase Celadon Blue, 2022Hand-built porcelain clay.
With the artist's stamp.40cm -
Richard PomeroyTall Vase Celadon Green, 2022Hand-built porcelain clay.
With the artist's stamp.40cm -
Richard PomeroyTall Vase Cobalt, 2022Hand-built porcelain clay.
With the artist's stamp.40cm -
Richard PomeroyTall Vase Lilac, 2022Hand-built porcelain clay with 24 carat gold kintsugi.
With the artist's stamp.40cm -
Richard PomeroyTall Vase Lime Green, 2022Hand-built porcelain clay.
With the artist's stamp.40cm -
Richard PomeroyTall Vase Mint Green, 2022Hand-built porcelain clay.
With the artist's stamp.40cm -
Richard PomeroyTall Vase Natural, 2022Hand-built porcelain clay.
With the artist's stamp.40cm -
Richard PomeroyTall Vase Purple, 2022Hand-built porcelain clay.
With the artist's stamp.40cm -
Richard PomeroyTall Vase Red, 2022Hand-built porcelain clay.
With the artist's stamp.40cm -
Richard PomeroyTall Vase Turquoise, 2022Hand-built porcelain clay.
With the artist's stamp.40cm -
Richard PomeroyTall Vase White, 2022Hand-built porcelain clay.
With the artist's stamp.40cm -
Richard PomeroyTall Vase Yellow, 2022Hand-built porcelain clay.
With the artist's stamp.40cm -
Richard PomeroyTall Vase, Cobalt, 2022Hand-built porcelain clay.
With the artist's stamp.40cm -
Richard PomeroyTall Vase, Lime Green, 2022Hand-built porcelain clay.
With the artist's stamp.40cm -
Richard PomeroyTall Vase, Turquoise, 2022Hand-built porcelain clay.
With the artist's stamp.40cm -
Tom HammickTamino in the Wilderness, 2020Edition variable reduction woodcut printed in colours. Signed in pencil and numbered from the edition of 14.119 x 89 cm (46 7/8 x 35 1/8 in)
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Tom HammickTerrestrial, 2017Edition variable woodcut printed in colours.
Signed in pencil and numbered 15 from the edition of 16. From: Lunar Voyage.120 x 152 cm (47 1/4 x 59 7/8 in) -
Kelly ReemtsenThe Cover Up, 2019Unique screenprint with navy glitter.
Signed. A unique trial proof aside from the edition of 25.91.4 x 91.4 cm (36 x 36 in) -
Lucian FreudThe Egyptian Book, 1994Etching.
Initialled in pencil and inscribed 'B.A.T.'
The Bon à tirer impression before the edition of 40.
Printed on T. H. S. Saunders paper by Marc Balakjian at Studio Prints, London.
Published by Matthew Marks Gallery, New York.
(Treves 70)Plate: 29.85 x 29.85 cm
Sheet: 46.34 x 43.18 cm -
William WrightThe Etching Press, 2021Drypoint.
Signed in pencil and numbered from an edition of 15 with 5 AP's.Plate size: 10 x 15 cm (4 x 5 7/8 in)
Sheet size: 19.5 x 24.5 cm (7 5/8 x 9 5/8 in) -
Blaise DrummondThe Forest, 2019Woodcut and lithograph printed in colours.
Signed in pencil and numbered from the edition of 30.56 x 76 cm (22 1/8 x 29 7/8 in) -
Simon PattersonThe Great Bear, 1992Lithograph printed in colours.
Signed in pencil and inscribed AP. An artist's proof aside from the edition of 50.
Printed by London Underground printers.
Published by the artist and Milch Gallery.102.7 x 128 cm (40 3/8 x 50 3/8 in) -
Georgie HoptonThe Juggler, 2008Archival inkjet print on fibre paper.
Signed verso and numbered from the edition of 4, with 2 artist proofs.13.5 x 20.2 cm (5 1/4 x 8 in) -
Lucian FreudThe New Yorker, 2006Etching.
Initialled in pencil and inscribed 'B.A.T.'
The Bon à tirer impression before the edition of 46.
Printed on Somerset White paper by Marc Balakjian at Studio Prints, London.
Published by Acquavella LLC, New York.
(Treves 110)Plate: 37.5 x 37.5 cm
Sheet: 74.9 x 56.9 cm -
Lucian FreudThe Painter's Doctor, 2006Etching.
Initialled in pencil and inscribed 'B.A.T.'
The Bon à tirer impression before the edition of 46.
Printed on Somerset White paper by Marc Balakjian at Studio Prints, London.
Published by Acquavella LLC, New York.
(Treves 110)Plate: 59.7 x 45.7 cm
Sheet: 77.5 x 61.5 cm -
Miles AldridgeThe Pure Wonder #2, 2005Chromogenic print.
Signed in ink on artist’s label and numbered from the edition of 10 plus 2 artist proofs.35.5 x 53.5 cm (14 x 21 1/8 in) -
Gary HumeThe Sister Troop, 2009The complete portfolio of 10 screenprints in colours.
Each print signed and numbered from the edition of 60.
*Price framed*Each 81.5 x 60 (variable widths) -
Gary HumeTicket, 2018Lithograph printed in colours on Velin d'Arches paper.
Signed and numbered from the edition of 18.68 x 52 cm (26 3/4 x 20 1/2 in) -
Gary HumeTicket (Pink), 2018Lithograph printed in colours on Velin d'Arches paper.
Signed and numbered from the edition of 14.68 x 52 cm (26 3/4 x 20 1/2 in) -
Tom HammickTree Life, 2010Edition variable reduction woodcut printed in colours.
Signed in pencil and numbered 6 from the edition of 10.100 x 62 cm (39 3/8 x 24 3/8 in) -
Tom HammickTristan's Fire, 2020Edition variable reduction woodcut printed in colours.
Signed in pencil and numbered from the edition of 14.102 x 142 cm (40 1/8 x 55 7/8 in) -
Tom HammickTwo Friends Amongst Daisies, 2021Ink on paper.
Signed.21 x 25 cm (8 1/4 x 9 7/8 in) -
Lucian FreudTwo Men in the Studio, 1989Etching.
Initialled in pencil and inscribed 'B.A.T.'
The Bon à tirer impression before the edition of 25.
Printed on Somerset Satin White paper by Marc Balakjian at Studio Prints, London.
Published by James Kirkman, London and Brooke Alexander, New York.
(Treves 55)Plate: 22.9 x 19.2 cm
Sheet: 39.2 x 37.2 cm -
Tom HammickUnderworld (An Escape), 2020Edition variable reduction woodcut.
Signed and numbered from the edition of 9.118 x 199 cm (46 1/2 x 78 3/8 in) -
Tom HammickUntethered, 2021Edition variable reduction woodcut printed in colours.
Signed in pencil and numbered from the edition of 15.91 x 60 cm -
Gerald LaingUntitled, 1965Acrylic on plastic, aluminium, and formica box.15 x 20 x 9 cm (5 7/8 x 7 7/8 x 3 1/2 in)
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Fred SandbackUntitled, 1975Linocut.
Signed in pencil verso and numbered from the edition of 20.
Printed on Japanese paper by Karl Imhof, Munich.
Published by Edition Heiner Friedrich, Munich.
(Jahn 34, Sandback 3042)44.5 x 53 cm (17.5 x 20.88 in) -
Fred SandbackUntitled, 1976Etching with acquatint.
Signed in pencil verso and numbered from the edition of 40.
Printed on Rives BFK paper by Patricia Branstead.
Published by Brooke Alexander, New York.
(Jahn 59, Sandback 3050)59.4 x 90.2 cm (23.38 x 35.5 in) -
David ShrigleyUntitled (Thank you for burning my possessions), 2019Screenprint in colours.
Signed in pencil and numbered from the edition of 125.
Published by Stephen Friedman Gallery, London.76 x 56 cm -
Miles AldridgeUntitled (after Cattelan) #4 - Study XVI, 2016Unique Polaroid print.
Signed verso.8.9 x 10.8 cm (3 1/2 x 4 1/4 in) -
David ShrigleyUntitled (Fast Train to Shitsville), 2020Screenprint in colours.
Signed in pencil and numbered from the edition of 125.
Printed on Somerset Tub Sized 400 gsm paper.
Published by Stephen Friedman Gallery, London.76 x 56 cm (29.92 x 22.05 in) -
Ellsworth KellyUntitled (Gray State II), 1988Lithograph.
Signed in pencil and numbered from the edition of 11.107.6 x 117.2 cm (42 3/8 x 46 1/8 in) -
Ed RuschaVarious Small Fires , 1970Lithograph.
From the 'Book Covers' series. Signed in pencil and numbered from the edition of 30.40.6 x 50.8 cm (15.98 x 20 in) -
Gerald LaingVB II, 2008Screenprint in colours.
Signed in pencil and numbered from the edition of 90.72 x 58.3 cm (28.35 x 22.95 in)
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Miles AldridgeVenus Etcetera (after Botticelli), 2021Screenprint in colours with silver ink.
Signed in ink on artist’s label and numbered from the edition of 15 with 3 artist’s proofs.
109 × 150 cm (42 ¾ × 59 in) -
Miles AldridgeVenus Etcetera (after Cabanel), 2021Screenprint in colours with silver ink.
Signed in ink on artist’s label and numbered from the edition of 15 with 3 artist’s proofs.
150 × 99 cm (59 x 39 in) -
Miles AldridgeVenus Etcetera (after Titian), 2021Screenprint in colours with silver ink.
Signed in ink on artist’s label and numbered from the edition of 15 with 3 artist’s proofs.
109 × 150 cm (42 ¾ × 59 in) -
Miles AldridgeVenus Etcetera (after Velázquez) , 2021Screenprint in colours with silver ink.
Signed in ink on artist’s label and numbered from the edition of 15 with 3 artist’s proofs.
150 × 99 cm (59 x 39 in) -
Miles AldridgeVenus Etcetera (after Veronese), 2021Screenprint in colours with silver ink.
Signed in ink on artist’s label and numbered from the edition of 15 with 3 artist’s proofs.
109 × 150 cm (42 ¾ × 59 in) -
Jane HammondVietnamese Vase with Fritillaria Persica, Emerald Cuckoo and Wild Cucumber, 2021Unique botanical collage using linocut, relief printing, digital printing, colored pencil, Sumi ink, watercolor and gouache, hand cut and assembled on collaged Japanese papers over cotton rag.
Signed in pencil.127 x 96.5 cm (50 x 38 in) -
Robert BechtleView of Alameda, 1967Etching.
Signed in pencil and numbered from the edition of 25.
Published by Crown Point Press, San Francisco.28.6 x 28.6 cm (11 1/4 x 11 1/4 in) -
Blaise DrummondVolkskunst, 2019Woodcut and lithograph printed in colours.
Signed in pencil and numbered from the edition of 30.76 x 56 cm (29 7/8 x 22 1/8 in) -
Tom HammickVoyage North, 2012Edition variable reduction woodcut in fifteen parts, printed in colours with hand painting.
Signed in pencil and numbered 1 from the edition of 7.191 x 261 cm (75 1/4 x 102 3/4 in) -
Tom HammickWaiting For Time, 2016Edition variable reduction woodcut printed in colours.
Signed in pencil and numbered 9 from the edition of 10.122 x 163 cm (48 1/8 x 64 1/8 in) -
Jane HammondWarren Cup with Amorphophallus Seed Head and Elizabeth Taylor Gardenia, 2020Unique botanical collage with digital printing, watercolour and gouache, hand cut and assembled on Japanese papers collaged over Coventry Rag.
Signed verso.37.4 x 27.9 cm (14 3/4 x 11 in) -
Tom HammickWatering Can, 2021Pen and ink drawing.
Signed and dated.12 x 21 cm (4 3/4 x 8 1/4 in)
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