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Vases range in size between 110mm - 128mm tall and 90mm - 110mm wide.

Listed price includes VAT.

Vases range in size between 125mm-150mm tall and 50-60mm at base.

Listed price includes VAT.

14 x 5 cm (5 1/2 x 2 in)

Listed price includes VAT.

Text by Michael Bracewell
Hardback 208 pages
Publisher: Steidl, Germany
Dimensions: 30 x 30 cm (11 3/4 x 11 3/4 in)

'Please Please return Polaroid' is Miles Aldridge's ongoing love letter to Polaroid. The sequel to Aldridge’s Please Return Polaroid of 2016, this book presents new and vintage Polaroids from his more than 20-year archive in a seemingly random sequence shaped by a dreamlike logic and surprising juxtapositions.

The edition is presented in a multicoloured slip case with a window displaying one of ten c-prints selected from the Polaroids in the publication. Each c-print is signed and numbered from an edition of 20.

Please Please return Polaroid explores Aldridge’s dedication to analogue processes where cut-and-paste is still a manual process, made with scissors, gaffer tape, intuition and not a little patience. Aldridge continues to use Polaroids as part of his work-in-progress “sketches,” often scratching, tearing and taping them together, even drawing over them; each mark part of the creative act. Known for creating immaculate photos of a less than perfect world, Aldridge revels in these unpolished images, transforming some into extreme enlargements filling double pages with their re-worked and damaged surfaces.

The price listed includes VAT.

Text by Michael Bracewell
Hardback 208 pages
Publisher: Steidl, Germany
Dimensions: 30 x 30 cm (11 3/4 x 11 3/4 in)

'Please Please return Polaroid' is Miles Aldridge's ongoing love letter to Polaroid. The sequel to Aldridge’s Please Return Polaroid of 2016, this book presents new and vintage Polaroids from his more than 20-year archive in a seemingly random sequence shaped by a dreamlike logic and surprising juxtapositions.

The edition is presented in a multicoloured slip case with a window displaying one of ten c-prints selected from the Polaroids in the publication. Each c-print is signed and numbered from an edition of 20.

Please Please return Polaroid explores Aldridge’s dedication to analogue processes where cut-and-paste is still a manual process, made with scissors, gaffer tape, intuition and not a little patience. Aldridge continues to use Polaroids as part of his work-in-progress “sketches,” often scratching, tearing and taping them together, even drawing over them; each mark part of the creative act. Known for creating immaculate photos of a less than perfect world, Aldridge revels in these unpolished images, transforming some into extreme enlargements filling double pages with their re-worked and damaged surfaces.

The price listed includes VAT.

Text by Michael Bracewell
Hardback 208 pages
Publisher: Steidl, Germany
Dimensions: 30 x 30 cm (11 3/4 x 11 3/4 in)

'Please Please return Polaroid' is Miles Aldridge's ongoing love letter to Polaroid. The sequel to Aldridge’s Please Return Polaroid of 2016, this book presents new and vintage Polaroids from his more than 20-year archive in a seemingly random sequence shaped by a dreamlike logic and surprising juxtapositions.

The edition is presented in a multicoloured slip case with a window displaying one of ten c-prints selected from the Polaroids in the publication. Each c-print is signed and numbered from an edition of 20.

Please Please return Polaroid explores Aldridge’s dedication to analogue processes where cut-and-paste is still a manual process, made with scissors, gaffer tape, intuition and not a little patience. Aldridge continues to use Polaroids as part of his work-in-progress “sketches,” often scratching, tearing and taping them together, even drawing over them; each mark part of the creative act. Known for creating immaculate photos of a less than perfect world, Aldridge revels in these unpolished images, transforming some into extreme enlargements filling double pages with their re-worked and damaged surfaces.

The price listed includes VAT.

Text by Michael Bracewell
Hardback 208 pages
Publisher: Steidl, Germany
Dimensions: 30 x 30 cm (11 3/4 x 11 3/4 in)

'Please Please return Polaroid' is Miles Aldridge's ongoing love letter to Polaroid. The sequel to Aldridge’s Please Return Polaroid of 2016, this book presents new and vintage Polaroids from his more than 20-year archive in a seemingly random sequence shaped by a dreamlike logic and surprising juxtapositions.

The edition is presented in a multicoloured slip case with a window displaying one of ten c-prints selected from the Polaroids in the publication. Each c-print is signed and numbered from an edition of 20.

Please Please return Polaroid explores Aldridge’s dedication to analogue processes where cut-and-paste is still a manual process, made with scissors, gaffer tape, intuition and not a little patience. Aldridge continues to use Polaroids as part of his work-in-progress “sketches,” often scratching, tearing and taping them together, even drawing over them; each mark part of the creative act. Known for creating immaculate photos of a less than perfect world, Aldridge revels in these unpolished images, transforming some into extreme enlargements filling double pages with their re-worked and damaged surfaces.

The price listed includes VAT.

Text by Michael Bracewell
Hardback 208 pages
Publisher: Steidl, Germany
Dimensions: 30 x 30 cm (11 3/4 x 11 3/4 in)

'Please Please return Polaroid' is Miles Aldridge's ongoing love letter to Polaroid. The sequel to Aldridge’s Please Return Polaroid of 2016, this book presents new and vintage Polaroids from his more than 20-year archive in a seemingly random sequence shaped by a dreamlike logic and surprising juxtapositions.

The edition is presented in a multicoloured slip case with a window displaying one of ten c-prints selected from the Polaroids in the publication. Each c-print is signed and numbered from an edition of 20.

Please Please return Polaroid explores Aldridge’s dedication to analogue processes where cut-and-paste is still a manual process, made with scissors, gaffer tape, intuition and not a little patience. Aldridge continues to use Polaroids as part of his work-in-progress “sketches,” often scratching, tearing and taping them together, even drawing over them; each mark part of the creative act. Known for creating immaculate photos of a less than perfect world, Aldridge revels in these unpolished images, transforming some into extreme enlargements filling double pages with their re-worked and damaged surfaces.

The price listed includes VAT.

Text by Michael Bracewell
Hardback 208 pages
Publisher: Steidl, Germany
Dimensions: 30 x 30 cm (11 3/4 x 11 3/4 in)

'Please Please return Polaroid' is Miles Aldridge's ongoing love letter to Polaroid. The sequel to Aldridge’s Please Return Polaroid of 2016, this book presents new and vintage Polaroids from his more than 20-year archive in a seemingly random sequence shaped by a dreamlike logic and surprising juxtapositions.

The edition is presented in a multicoloured slip case with a window displaying one of ten c-prints selected from the Polaroids in the publication. Each c-print is signed and numbered from an edition of 20.

Please Please return Polaroid explores Aldridge’s dedication to analogue processes where cut-and-paste is still a manual process, made with scissors, gaffer tape, intuition and not a little patience. Aldridge continues to use Polaroids as part of his work-in-progress “sketches,” often scratching, tearing and taping them together, even drawing over them; each mark part of the creative act. Known for creating immaculate photos of a less than perfect world, Aldridge revels in these unpolished images, transforming some into extreme enlargements filling double pages with their re-worked and damaged surfaces.

The price listed includes VAT.

Text by Michael Bracewell
Hardback 208 pages
Publisher: Steidl, Germany
Dimensions: 30 x 30 cm (11 3/4 x 11 3/4 in)

'Please Please return Polaroid' is Miles Aldridge's ongoing love letter to Polaroid. The sequel to Aldridge’s Please Return Polaroid of 2016, this book presents new and vintage Polaroids from his more than 20-year archive in a seemingly random sequence shaped by a dreamlike logic and surprising juxtapositions.

The edition is presented in a multicoloured slip case with a window displaying one of ten c-prints selected from the Polaroids in the publication. Each c-print is signed and numbered from an edition of 20.

Please Please return Polaroid explores Aldridge’s dedication to analogue processes where cut-and-paste is still a manual process, made with scissors, gaffer tape, intuition and not a little patience. Aldridge continues to use Polaroids as part of his work-in-progress “sketches,” often scratching, tearing and taping them together, even drawing over them; each mark part of the creative act. Known for creating immaculate photos of a less than perfect world, Aldridge revels in these unpolished images, transforming some into extreme enlargements filling double pages with their re-worked and damaged surfaces.

The price listed includes VAT.

Text by Michael Bracewell
Hardback 208 pages
Publisher: Steidl, Germany
Dimensions: 30 x 30 cm (11 3/4 x 11 3/4 in)

Text by Michael Bracewell
Clothbound hardcover with a tipped-in photo
Publisher: Steidl, Göttingen
Book: 30 x 30.1 x 2.1 cm (11.81 x 11.85 x 0.83 in)
Print: 49 x 49 cm
Pages: 204

Drawn from over 20 years of Aldridge’s archive, this book contains a personal selection of the artist’s Polaroids, giving an intimate insight into his working practice, as well as providing an overview of his projects spanning the past two decades.

Issued with a screenprint in black and silver ink signed and numbered from the edition of 100. The book can be signed and/or dedicated on request.

The price listed includes VAT.

H 25cm

Ceramicist Nel Faulkner creates softly-formed shapes with printed patterns and carved additions in a palette of cobalt blue and white.

H 20cm

Ceramicist Nel Faulkner creates softly-formed shapes with printed patterns and carved additions in a palette of cobalt blue and white.

H 22cm

Ceramicist Nel Faulkner creates softly-formed shapes with printed patterns and carved additions in a palette of cobalt blue and white.

H 28cm

Ceramicist Nel Faulkner creates softly-formed shapes with printed patterns and carved additions in a palette of cobalt blue and white.

Text by Emma Hill
Softback
Publisher: Lyndsey Ingram
Dimensions: 21 x 14.8 cm
Pages: 56

100 copies of this deluxe catalogue were printed and include one of four original unframed woodcuts by Tom Hammick: Wind in my Heart (14 x 20 cm), After Munch (20 x 14 cm), Little Fire (20 x 14 cm), From my Mountain (14 x 20 cm). Each edition variable of 25, signed and numbered by the artist. Each printed by Hammick Editions in 2020.

Please note, this print is unframed.

Please also note, every print is slightly different from the display image. Please contact the gallery to see more variable editions.

60.32 x 49.45 cm (23 3/4 x 19 1/2 in)

£600 + VAT

Please note this work is sold unframed. Please enquire for framing.

63.25 x 54.4 cm (24 7/8 x 21 3/8 in)

£600 + VAT

Please note this work is sold unframed. Please enquire for framing.

63.25 x 54.4 cm (24 7/8 x 21 3/8 in)

Price per metre

Price per metre

Price per metre

Standard, image: 28 x 18.5 cm (11 x 7 1/4 in), from an edition of 25

Standard: £950 + VAT
Price includes framing.

Standard, image: 28 x 18.5 cm (11 x 7 1/4 in), from an edition of 25

Standard: £950 + VAT
Price includes framing.

Standard, image: 18.6 x 27.9 cm (7 3/8 x 11 in), from the edition of 25
Large, image: 24.7 x 38 cm (9 3/4 x 15 in), from the edition of 10

Standard: £950 + VAT
Large: £2,200 + VAT
Price includes framing.

Standard, image: 28.1 x 18.9 cm (11 x 7 1/2 in), from the edition of 25
Large, image: 37.3 x 24.8 cm (14 3/4 x 9 3/4 in), from the edition of 10

Standard: £950 + VAT
Large: £2,200 + VAT
Price includes framing.

Standard, image: 28 x 18.5 cm (11 x 7 1/4in), from the edition of 25
Large, image: 38.2 x 25.2 cm (15 x 9 7/8 in), from the edition of 10

Standard: £950 + VAT
Large: £2,200 + VAT
Price includes framing.

Large, image: 24.3 x 37.5 cm (9 5/8 x 14 3/4 in), from the edition of 10

Standard, image: 18.5 x 28 cm (7 1/4 x 11 in), from the edition of 25
Large, image: 24.3 x 37.5 cm (9 5/8 x 14 3/4 in), from the edition of 10

Standard: £950 + VAT
Large: £2,200 + VAT
Price includes framing.

Standard, image: 18.9 x 28 cm (7 1/2 x 11 in), from the edition of 25
Large, image: 24.3 x 37.5 cm (9 5/8 x 14 3/4 in), from the edition of 10

Standard: £950 + VAT
Large: £2,200 + VAT
Price includes framing.

Paperback
120 pages
19.4 x 14.4 x 1.4 cm

A large proportion of humankind eats the flesh of dead animals, usually quadrupeds, and most often bred and raised for this purpose, as food.

This collection of old postcards illustrates the manner of preparation and style of display of this foodstuff. Many of the cards have been inscribed and posted yet rarely comment on the pictures – they bear messages of goodwill and family news, complaints of ill-health and reports of weather experienced.

Since the cards are mostly pre-1920 the cattle will have eaten grass (rarely the case in the USA today) and the fowl will have lived in smaller communities. Acts of butchery will have been readily visible in shops and carcasses have hung in the streets outside. My collection informs the eaters of today of the work preceding the appearance of a steak or a joint.

- John Kasmin

68 x 125 x 3 cm (26 3/4 x 49 1/4 x 1 1/8 in)

45 x 74 x 3 cm (17 3/4 x 29 1/8 x 1 1/8 in)

D: 26.5 cm (10.4 in)

D: 15.5 cm (6.1 in)

D: 26.5 cm (10.4 in)

D: 26.5 cm (10.4 in)

D: 25 cm (9.8 in)

33 x 26 cm (13 x 10 1/4 in)

D: 27 cm (10.63 in)

D: 22 cm (8.7 in)

D: 27 cm (10.6 in)

D: 25 cm (9.8 in)

Pendant: 3 x 3 cm
Chain: 70 cm

Pendant: 5 cm
Chain: 70 cm

Pendant 3 x 3 cm
Chain 70 cm

Pendant 3 x 3 cm
Chain 70 cm

Text by Rachel Campbell-Johnston
Softback
Publisher: Lyndsey Ingram
Dimensions: 21 x 16 cm
Pages: 90