-
Georgie HoptonGathering Globe Amaranth, 2007Archival inkjet print on fibre paper.
Signed verso and numbered from the edition of 4, with 2 artists proofs30 x 40 cm (11 3/4 x 15 3/4 in) -
Kelly ReemtsenGender Gap/Shears, 2016Screenprint in colours.
Signed in pencil and numbered from the edition of 25, with 6 artist's proofs.57.1 x 56 cm (22.48 x 22.05 in) -
Kate FriendGeorgie Hopton, Cyclamen, Bloomsbury, London, 2022C-type colour print.
Signed and numbered verso.Edition of 5 with 2 APs: 80 x 65 cm (31 1/2 x 25 1/2 in)
Edition of 3 with 1 AP: 153 x 122 cm (60 1/4 x 48 in) -
Gary HumeGeranium, 2013Screenprint and linocut printed in colours on Somerset paper.
Signed and numbered from the edition of 18.119 x 80 cm (46 7/8 x 31 1/2 in) -
Gerald LaingGethsemane, 2008Screenprint in colours with hand-applied silver foil blocking.
Signed in pencil and numbered from the edition of 90.
Printed by Artizan Editions, Hove.
Published by the artist.96.5 x 71 cm (38 x 28 in) -
Kelly ReemtsenGetting it Together, 202213 colour reduction woodcut.
Signed and numbered 3 from the edition of 6 with 3 APs.Image size: 45.7 x 50.8 cm (18 x 20 in)
Sheet size: 58.4 x 63.5 cm (23 x 25 in) -
Ellsworth KellyGreen with Red, 1964-65Lithograph printed in colours.
Signed in pencil and numbered from the edition of 75, with 9 artist proofs.
Printed on Rives BFK paper by Marcel Durassier at Impremerie Maeght, Levallois-Perret.
Published by Maeght Editeur, Paris.
(Waldman 12, Axsom 11)87 x 60 cm (35 1/4 x 23 5/8 in)
-
Lucian FreudHead of a Man, 1992Etching.
Initialled in pencil and inscribed 'B.A.T.'
The Bon à tirer impression before the edition of 20.
Printed on BFK Rives White paper by Marc Balakjian at Studio Prints, London.
Published by Matthew Marks Gallery, New York.
(Treves 66)Plate: 21.8 x 20 cm
Sheet: 41.9 x 40 cm -
Lucian FreudHead of a Naked Girl, 2000Etching.
Signed in pencil and inscribed PP 2/2. A proof impression aside from the edition of 46.
Printed by Marc Balakjian at Studio Prints, London.
Published by Matthew Marks Gallery, New York.
(Treves 91)Plate: 38 x 38 cm
Sheet: 58.9 x 57 cm -
Lucian FreudHead of Ali, 1999Etching.
Initialled in pencil and inscribed 'B.A.T.'
The Bon à tirer impression before the edition of 46.
Printed on Somerset Satin White paper by Marc Balakjian at Studio Prints, London.
Published by Matthew Marks Gallery, New York.
(Treves 85)Plate: 59.9 x 43.2 cm
Sheet: 75.7 x 57.5 cm -
Lucian FreudHead of IB, 1988Etching.
Signed in pencil and inscribed PP 2/2. A proof impression aside from the edition of 40.
Printed by Marc Balakjian at Studio Prints, London.
Published by James Kirkman, London and Brooke Alexander, New York.
(Treves 48)Plate: 21 x 14.6 cm
Sheet: 36.2 x 28 cm -
Miles AldridgeHello, 2020Screenprint in colours.
Signed and numbered in pencil verso and numbered from the edition of 15 plus 3 artist proofs.73.5 x 95 cm (29 x 37 3/8 in) -
Tom HammickHenry's Cabin, 2018Edition variable reduction woodcut printed in colours.
Signed in pencil and numbered 2 from the edition of 7.118 x 158 cm (46 1/2 x 62 1/4 in) -
Tom HammickHouse, 2021Oil on panel.
Signed and dated verso.31 x 38.5 cm (12 1/4 x 15 1/8 in) -
Tom HammickHover, 2020Woodcut with hand painting.
Signed in pencil and numbered from the edition of 15.90 x 60 cm (35 3/8 x 23 5/8 in) -
Miles AldridgeI Only Want You To Love Me #1, 2011Chromogenic print.
Signed in ink on artist’s label and numbered from the edition of 10 plus 2 artist's proofs.52.5 × 76 cm (20 ¾ × 30 in) -
Miles AldridgeI Only Want You To Love Me #4, 2011Chromogenic print.
Signed in ink on artist’s label and numbered from the edition of 10 plus 2 artist proofs.84.5 x 127 cm (33 1/4 x 50 in -
Miles AldridgeI Will Love You Tomorrow, 2020Screenprint in colours.
Signed verso and numbered from the edition of 15 plus 3 artist's proofs.73.5 x 95 cm (29 x 37 ⅜ in) -
Kelly ReemtsenIn the Loop, 2019Woodcut printed in colours.
Signed in pencil and numbered from the edition of 15, with 9 APs.60.96 x 55.88 cm (24 x 22 in) -
Kate FriendIsabella Tree, Ragwort, Knepp Estate, Sussex, 2020C-type colour print.
Signed and numbered verso.Edition of 5 with 2 APs: 80 x 65 cm (31 1/2 x 25 1/2 in)
Edition of 3 with 1 AP: 153 x 122 cm (60 1/4 x 48 in) -
Tom HammickIsland Studio Triptych, 2012Edition variable reduction woodcut.
Signed in pencil and numbered from the edition of 7.182 x 363 cm (71 5/8 x 142 7/8 in) -
Gerald LaingJean Harlow, 2011Screenprint in colours.
Signed in pencil and numbered from the edition of 200.121 x 86 cm (47.64 x 33.86 in) -
Kate FriendJeremy Lee, Hellebore, Quo Vadis, Soho, London, 2020C-type colour print.
Signed and numbered verso.Edition of 5 with 2 APs: 80 x 65 cm (31 1/2 x 25 1/2 in)
Edition of 3 with 1 AP: 153 x 122 cm (60 1/4 x 48 in)
-
Kate FriendJuergen Teller, Strawberry, Latimer Road, West London, 2020C-type colour print.
Signed and numbered verso.Edition of 5 with 2 APs: 80 x 65 cm (31 1/2 x 25 1/2 in)
-
Georgie HoptonJungle Juice, 2020Collage and wool on paper.
Signed verso.52.3 x 44.5 cm (20 5/8 x 17 1/2 in) -
Gerald LaingKate Moss, 2007Screenprint in colours.
Signed in pencil and numbered from the edition of 90.98.6 x 65.5 cm (38.82 x 25.79 in) -
Tom HammickKoodge in the Velvet Night, 2022Edition variable reduction woodcut.
Signed and numbered from the edition of 10.101 x 120.5 cm (39 3/4 x 47 1/2 in) -
Tom HammickKoodge's Garden, 2022Edition variable reduction woodcut with hand painting.
Signed in pencil and numbered from an edition of 20.140.8 cm x 120 cm (55 3/8 x 47 1/4 in) -
Tom HammickKoodge's Garden, 2022Edition variable reduction woodcut with hand painting.
Signed in pencil and numbered from an edition of 20.140.8 cm x 120 cm (55 3/8 x 47 1/4 in) -
Jane HammondKorean Moon Jar with Twinspots, Red Sunflower and Pygmy Owl, 2021Unique botanical collage using linocut, relief printing, digital printing, colored pencil, Sumi ink, watercolor and gouache, hand cut and assembled on collaged Japanese papers over painted cotton rag.
Signed in pencil.127 x 96.52 cm (50 x 38 in) -
Joan MiróL'Aigrette, 1956Etching.
Signed in pencil and inscribed H.C. A proof impression aside from the edition of 30.
Printed on Arches vellum paper at Crommelynck and Dutrou, Paris.
Published by Maeght Editions, Paris.
(Dupin 105)Plate: 12 x 9 cm (4 3/4 x 3 9/16 in)
Sheet: 29 x 25 cm (11 7/16 x 9 7/8 in) -
Richard PomeroyTall Tankard Beaker, 2022Hand-built porcelain clay, available in 18 colour glazes.
Featured: turquoise.
Available colours: red, pink, sunset orange, tangerine, yellow, lime green, mint green, moss green, celadon green, celadon blue, turquoise, cobalt, bluebell, purple, lilac, black, white and natural.
With the artist's stamp.14cm -
Richard PomeroyTankard Jug, 2022Hand-built porcelain clay, available in 18 colour glazes.
Featured: bluebell.
Available colours: red, pink, sunset orange, tangerine, yellow, lime green, mint green, moss green, celadon green, celadon blue, turquoise, cobalt, bluebell, purple, lilac, black, white and natural.
With the artist's stamp.14cm -
Richard PomeroyLitre Jug, 2022Hand-built porcelain clay, available in 18 colour glazes.
Featured: purple.
Available colours: red, pink, sunset orange, tangerine, yellow, lime green, mint green, moss green, celadon green, celadon blue, turquoise, cobalt, bluebell, purple, lilac, black, white and natural.
With the artist's stamp.21cm -
Richard PomeroyLitre Vase, 2023Hand-built porcelain clay, available in 18 colour glazes.
Featured: Tangerine.
Available colours: red, pink, sunset orange, tangerine, yellow, lime green, mint green, moss green, celadon green, celadon blue, turquoise, cobalt, bluebell, purple, lilac, black, white and natural.
With the artist's stamp.18cm H -
Richard PomeroyStorage Jar, 2023Hand-built porcelain clay, available in 18 colour glazes.
Featured: Turquoise.
Available colours: red, pink, sunset orange, tangerine, yellow, lime green, mint green, moss green, celadon green, celadon blue, turquoise, cobalt, bluebell, purple, lilac, black, white and natural.
With the artist's stamp.25cm H -
Richard PomeroyPlanter, 2023Hand-built porcelain clay, available in 18 colour glazes.
Featured: Pink.
Available colours: red, pink, sunset orange, tangerine, yellow, lime green, mint green, celadon green, celadon blue, turquoise, cobalt, bluebell, purple, lilac, black, white and natural.
With the artist's stamp.12cm H, 16.5cm W -
Richard PomeroyTulip Vase, 2023Hand-built porcelain clay, available in 18 colour glazes.
Featured: Moss green.
Available colours: red, pink, sunset orange, tangerine, yellow, lime green, mint green, moss green, celadon green, celadon blue, turquoise, cobalt, bluebell, purple, lilac, black, white and natural.
With the artist's stamp.16.5 cm H, 16.5 cm W -
Richard PomeroyBucket, 2023Hand-built porcelain clay, available in 18 colour glazes.
Featured: Mint green.
Available colours: red, pink, sunset orange, tangerine, yellow, lime green, mint green, celadon green, celadon blue, turquoise, cobalt, bluebell, purple, lilac, black, white and natural.
With the artist's stamp.24.5 cm H, 20cm W -
Richard PomeroySmall Tea Pot, 2022Hand-built porcelain clay, available in 18 colour glazes.
Featured: lilac.
Available colours: red, pink, sunset orange, tangerine, yellow, lime green, mint green, moss green, celadon green, celadon blue, turquoise, cobalt, bluebell, purple, lilac, black, white and natural.
With the artist's stamp.20cm -
Richard PomeroySmall Coffee Pot, 2022Hand-built porcelain clay, available in 18 colour glazes.
Featured: red.
Available colours: red, pink, sunset orange, tangerine, yellow, lime green, mint green, celadon green, celadon blue, turquoise, cobalt, bluebell, purple, lilac, black, white and natural.
With the artist's stamp.19cm -
Richard PomeroyLarge Tea Pot, 2022Hand-built porcelain clay, available in 18 colour glazes.
Featured: pink.
Available colours: red, pink, sunset orange, tangerine, yellow, lime green, mint green, moss green, celadon green, celadon blue, turquoise, cobalt, bluebell, purple, lilac, black and white.
With the artist's stamp.23cm -
Richard PomeroyLarge Coffee Pot, 2022Hand-built porcelain clay, available in 18 colour glazes.
Featured: sunset orange.
Available colours: red, pink, sunset orange, tangerine, yellow, lime green, mint green, moss green, celadon green, celadon blue, turquoise, cobalt, bluebell, purple, lilac, black, white and natural.
With the artist's stamp.20cm -
Lucian FreudLarge Head, 1993Etching.
Initialled in pencil and inscribed 'B.A.T.'
The Bon à tirer impression before the edition of 40.
Printed on Somerset Satin Textured paper by Marc Balakjian at Studio Prints, London.
Published by Matthew Marks Gallery, New York.
(Treves 68)Plate: 69.4 x 54.6 cm
Sheet: 79.4 x 63.5 cm -
Blaise DrummondLe Chant du Silence, 2019Lithograph printed in colours.
Signed in pencil and numbered from the edition of 100 with 15 artist proofs.50 x 65 cm (19 3/4 x 25 5/8 in) -
Joan MiróLe Styx, 1958Etching and aquatint printed in colours.
Signed in pencil and inscribed épreuve d'artiste. A proof impression aside from the edition of 75.
Printed on Rives vellum paper by Crommelynck and Dutrou, Paris.
Published by Maeght Editions, Paris.
(Dupin 159)Plate: 17.5 x 24 cm (6 7/8 x 9 1/2 in)
Sheet: 32.5 x 50 cm (12 13/16 x 19 3/4 in) -
Joan MiróLe tablier blanc, 1958Suite of two drypoints printed in green and black.
Each signed in pencil and numbered 2/3 and 3/3.
Printed on Auvergne paper by Pierre André Benoit, Alés, France.
Published by Pierre André Benoit, Alés, France.
(Dupin 236)Sheet: 14.5 x 17 cm (5 3/4 x 6 3/4 in) -
Joan MiróLes trois soeurs, 1938Etching with drypoint.
Signed in pencil and numbered 5 from the edition of 30.
Printed on Arches vellum paper at Atelier Lacouriere, Paris.
Published by Pierre Loeb, Paris, and Pierre Matisse, New York.
(Dupin 25)Plate: 26.5 x 19.5 cm (10 1/2 x 7 3/4 in)
Sheet: 44.5 x 32.5 cm (17 1/2 x 12 7/8 in) -
Ellsworth KellyLight Blue with Orange, 1964-65Lithograph printed in colours.
Signed in pencil and inscribed HC VIII/XIV. A 'hors commerce' proof impression aside from the edition of 75, with 11 artist proofs.
Printed on BFK Rives Paper by Marcel Durassier at Imprimerie Maeght, Levallois-Perret. Published by Maeght Editeur, Paris.
(Axsom 14)87 x 60 cm (35.04 x 23.5 in) -
Gerald LaingLincoln Convertible, 1963-2007Screenprint in colours with silver leaf.
Signed in pencil and numbered from the edition of 60.
Printed on heavy wove paper by Advanced Graphics, London.
Published by Sims Reed Gallery, London.110 x 150 cm (43 1/4 x 59 1/8 in) -
Gerald LaingLittle White Tunnels, 1967Lacquered aluminium and chrome on brass, formica box.
(Artist's CR 205)23 x 30 cm (9.06 x 11.81 in) -
Georgie HoptonLiving Remains, 2022Acrylic, sticks and collage on hand-marbled paper.
Signed verso.64.7 x 49.5 cm (25 1/2 x 19 1/2 in) -
Tom HammickLook Out, Bird in a Tree, 2021Edition variable reduction woodcut with hand painting.
Signed and dated in pencil and numbered from the edition of 15.91 x 60 cm (23.6 x 35.8 in) -
Kate FriendLuciano Giubbilei, Asphodelus fistulosus, Mallorca, 2022C-type colour print.
Signed and numbered verso.Edition of 5 with 2 APs: 80 x 65 cm (31 1/2 x 25 1/2 in)
Edition of 3 with 1 AP: 153 x 122 cm (60 1/4 x 48 in) -
Tom HammickLunography, 2017Edition variable reduction woodcut printed in colours.
Signed in pencil and numbered from the edition of 16.166 x 122 cm -
Kate FriendMaggi Hambling, Cactus, Suffolk, 2020C-type colour print.
Signed and numbered verso.Edition of 5 with 2 APs: 80 x 65 cm (31 1/2 x 25 1/2 in)
-
Miles AldridgeMaisie Williams, 2017Chromogenic print.
Signed in ink on artist’s label and numbered from the edition of 6 plus 2 artist proofs.95.5 x 71 cm (37 5/8 x 28 in) -
David ShrigleyMake Your Mark, 2020Screenprint in colours with varnish.
Signed in pencil and numbered from the edition of 125.
Printed on Somerset Tub Sized 410gsm paper.
Published by Jealous Gallery, London.75 x 55 cm (29 1/2 x 21 5/8 in) -
Lucian FreudMan Posing, 1985Etching.
Initialled in pencil and inscribed 'B.A.T.'
The Bon à tirer impression before the edition of 50.
Printed on wove paper by Marc Balakjian at Studio Prints, London.
Co-published by James Kirkman, London and Brooke Alexander, New York.
(Treves 37)Plate: 69.85 x 54.61 cm
Sheet: 88.27 x 73.03 cm -
Tom HammickMeadow Picking, 2022Etching, aquatint, spit bite and chine collé.
Signed and numbered from an edition of 15.65.5 x 49.5 cm (25 3/4 x 19 1/2 in) -
Ellsworth KellyMelon Leaf, 1965-66Lithograph.
Signed in pencil and numbered from the edition of 75, with 10 artist proofs.
Printed by Imprimerie Arte, Paris.
Published by Maeght Editeur, Paris.
(Axsom 44)89.2 x 61.6 cm (35 1/8 x 24 1/4 in) -
Gary HumeMigration, 2013Silkscreen printed in colours with embossing.
Signed and numbered from the edition of 90.87 x 85 x 5 cm (34 1/4 x 33 7/16 x 1 15/16 in)
79.5 x 77.8 cm (31 5/16 x 30 5/8 in) -
Suzy MurphyMobile, 2022Cast in bronze.
Edition of 6.31 x 66 cm (12 1/4 x 26 in) -
Suzy MurphyMobile, 2022Cast in painted bronze.
Edition of 6.31 x 66 cm (12 1/4 x 26 in) -
UnknownMochaware Beaker with scroddled slip, 1800H: 8cm
-
UnknownMochaware Bowl, 1830H: 8cm
D: 14cm -
UnknownMochaware Bowl with bands of blue slip, 1820H: 7cm
D: 14cm -
UnknownMochaware Bowl with dendritic trees, 1820H: 7 cm
D: 15cm -
UnknownMochaware Inlaid Mug, c. 1820H: 12cm
-
UnknownMochaware Jug decorated with engine turned slip, 1820H: 15cm
-
UnknownMochaware Jug decorated with snail trail, 1830H: 18cm
-
UnknownMochaware Jug with agate slip, 1790H: 21cm
-
UnknownMochaware Jug with bands and cat's eye decoration, 1830H: 21cm
-
UnknownMochaware Jug with cat's eye decoration, 1820H: 17cm
-
UnknownMochaware Jug with cat's eye like cherry bunch, 1830H: 17cm
-
UnknownMochaware Jug with combed slip, 1820H: 15cm
-
UnknownMochaware Jug with dendritic decoration, 1820H: 9cm
-
UnknownMochaware Jug with dendritic markings, 1810H: 15cm
-
UnknownMochaware Jug with dendritic pattern, 1820H: 14cm
-
UnknownMochaware Jug with engine turned slip, 1820H: 15cm
Page
2
of 7